Search results for 'taylor gs mini'

This is a semi custom 2012 Taylor 614CE featuring upgraded wood, three piece back and Gotoh 510 tuners Learn More

The Goodall Grand Concert offers a wonderful blend of clarity and balance with a rich punchy bass response and excellent sustain. While this model is considered ideal for the fingerstylist due to its responsive top, it is equally appropriate for the flatpicker or plectrum player Learn More

This '63 Fender Reverb is a faithful reproduction of an original 1963 Fender Reverb Model (6G15). Learn More

Here to remind you why you fell in love with Martin in the first place, the Martin OM-18 Authentic is constructed the old way - with hide glue, throughout, and historically-accurate detailing confirmed by using a CAT scan machine located at the Smithsonian Institute. Learn More

This is a 2005 Taylor T5C2 Custom featuring gorgeous figured Koa Top, intricate abalone fretboard inlays, gold hardware, full body binding, bone nut and saddle, bound f-holes, mahogany neck, and an ebony fretboard and bridge. The T5 is a resonant, fully hollow thinline guitar providing musicians the freedom of a solid-body and the feel and sound of your beloved Taylor acoustic. Whether played through an electric or acoustic amp, it delivers a fantastic range of pure tones from smooth, strumming acoustic to crunchy electric chords. Learn More

One of only a handful ever made, the Pallet guitar by Bob Taylor was originally conceived to prove to the world that a great guitar builder can build an outstanding instrument regardless of the wood used. To prove this, Bob Taylor went to the back of the Taylor factory and proceeded to tear apart a few of the shipping pallets on the ground, and built himself a guitar using the weathered oak, and pine (or whatever the soft wood is on pallets) that these things are made of. Learn More

The Eastman MD515 F-Style Mandolin Features Individually hand-crafted construction using time-honored methods & premium hand-carved solid tonewoods, Solid Spruce Top, Solid Maple back & sides, Ebony fingerboard & adjustable ebony bridge, F-style body with F-holes for warm, ringing tones & excellent sound projection Body Dimensions: 27" x 10" x 1 23/32" Top Wood: Carved Solid Spruce Back/Sides Wood: Carved Solid Maple Body Binding: Ivoroid (body & fingerboard) Neck Woods: Maple Neck Length: 6 15/16" Nut Width/Material: 1 3/32", bone Scale Length: 13 7/8" Fingerboard: 12" radiused ebony Frets: Dunlop #6310 Inlays: White mother-of-pearl Bridge: Fitted adjustable ebony Tailpiece: Nickel cast Tuners: Nickel Schaller Strings: D'Addario J74 strings Available Finishes: Classic, Classic/Sunburst Finish: High-gloss nitrocellulose lacquer Case: Shaped case included Learn More

Collings D1A Mahogany Adirondack Dreadnought with Deluxe Hardhsell Case. While Collings is certainly not the only company to build the square shoulder Dreadnought, they bring a new tonal clarity to the depth and warmth usually associated with such a large guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, it is alo a favorite of bluegrass flatpickers who must compete with other, louder instruments such as banjos and fiddles. Learn More

Bigsby Tremolo Learn More

For the collector seeking an exotic instrument of extraordinary beauty that delivers the rich sound only Koa can provide. When played, this non-cutaway Auditorium guitar just sings; it is meticulously made, featuring hand-selected, expertly matched Hawaiian Koa for the top, back and sides. Rich and responsive, especially in the lower register, it is a lively performer with clear and sweet tones. The King Koa will open up over time, the more the instrument is played, expanding the midrange for an even richer, sweeter tone. This fine instrument along with all other Masterclass, Exotic and Custom Sound Studio Series instruments are available exclusively in the USA through Breedlove Distinctive Dealers Learn More

This is a Composite Acoustics OX RAW ELE which is an OM/000 size acoustic guitar featuring all carbon fiber construction. The RAW finish leaves the polished soundboard exposed allowing it to resonate more freely and the matte black finish on the back will need little care making this the perfect take anywhere guitar. This guitar was one of the last ones built by Composite Acoustics before they closed March of 2010. In addition to the original LR Baggs Element pickup this one has been fitted with a K&K Trinity (does not come with the external preamp) which is better suited for intimate settings and for recording Learn More

This is an Eastman AC708 Grand Concert featuring all Solid wood construction with Rosewood back and sides Engelmann Spruce top and Mahogany neck Learn More