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A travel size instrument that sounds like a full size guitar? Impossible! Our Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar Learn More

The MD315 F style mandolin from Eastman features all solid wood construction with hand-carved, maple back & sides, bound spruce top, maple neck, dot-inlaid rosewood fingerboard with stylized extension, adjustable bridge, traditional stamped tailpiece, satin "Classic" finish (rich red-brown stain), nickel hardware. MD315 Full Specs: Neck Material: Maple Fingerboard: Ebony Fingerboard Radius: 12" Nut: Bone 1 3/32" Fretwire: 23 Jescar FW37053 Scale Length: 13 7/8" Body Style: F-Style w/ F-Holes Body Dimensions: 26 11/16" x 10" x 1 7/8" Body Top: Solid Spruce Body Back/Sides: Solid Maple Truss Rod: Single Acting Binding: Top Binding Material: Ivoroid Logo: Maple Headstock Inlay: Pearl Dots Side Dot Color: Black Body Finish: Satin Finish Neck/Headstock Finish: Satin Finish Hardware Color: Nickel Tailpiece: Eastman Cast Aluminum Tailpiece Bridge: Adjustable Compensated Ebony Bridge String Spacing: 1 5/8" Nut Height: .018" Tuners: Proline J-105 Strap Peg: Ebony Strings: D'Addario XT Phosphor Bronze 1140 Action Height: 0.060"/0.050" Case: Padded Gig Bag Learn More

Carved Spruce top, laminated back and sides. Ebony bridge, tailpiece, pickguard and fretboard with vintage tone with superior midrange and volume. Classic Venetian cutaway, mounted humbucking pickup design. Learn More

The E10-OM is a popular choice for fingerstyle but will handle a flatpick with ease. Featuring solid Adirondack Spruce top, solid Mahogany back and sides with dynamically responsive ebony fingerboard. The extended volume range ideal for ensemble playing Learn More

Vibrantly hued cocobolo makes an exotic guest appearance on this 900 Series limited edition Grand Auditorium. Instead of the Advanced Performance bracing scheme typically used with our rosewood 900 Series, we opted for Performance bracing to better complement cocobolo’s musical properties. The voicing architecture brings out extra warmth and tempers the wood’s ringing top end tendencies to create a balanced voice with an articulate response. Aesthetically, we’ve embellished the detail-rich 900 Series appointment package with an amber-brown shaded edgeburst finish treatment around the body and neck. The color gradation adds subtle depth to the cocobolo’s glowing hues and creates a visual harmony between the darker sides and the lighter Sitka spruce top. It also intensifies the rich sparkle of the abalone edge trim. Visually and tonally, this guitar exudes refined beauty Learn More

The E20OM-TC Orchestra Model features Thermo-Cure process cooks off the volatiles (oils, sugars, and resins) in a controlled heat environment essentially speeding up a 50 year process, opening the guitar up to a full range of tones. This creates a louder guitar, perfect for musicians trying to compete with noisier instruments. The E20OM-TC has a solid Thermo-Cured Adirondack top and solid Rosewood back/sides Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More

Carved Spruce top, solid carved mahogany back and sides with Rosewood bridge, tailpiece, pickguard and fretboard. Vintage tone with superior midrange and volume. Classic Non cutaway Learn More

Eastman's first solid body guitar… with Eastman’s signature written all over it. Solid body models feature a hand-carved solid flamed maple top, on a solid mahogany body. The Gotoh hardware and Seymour Duncan Antiquity humbuckers on the SB59/v and Seymour Duncan ’59 humbuckers on the SB59 complete one of our hardest rocking instruments to date. Learn More

Martin has built the worlds finest ukuleles since 1916, and tenor ukes since 1929 that have long been prized for their full-bodied voice and great volume. The C1K concert-sized model features top, back and sides crafted of solid Hawaiian koa, a wood native to Hawaii and a favorite of island players. Entire body is finished in high quality satin lacquer, and features an applied dovetail neck joint. The C1K Uke is a beautiful example of why Martin is still the name in superior quality ukuleles. Learn More

New from Eastman, this is a full-size 16” thinline with Antique Varnish. Deluxe Laminate Top, Deluxe Laminate back and sides with plenty of tone and attitude! Dual dog eared P-90's. Learn More