Search results for 'Taylor sb'

Taylor’s sleek, easy-playing necks make for an incredibly smooth 12-string experience. The 556ce features mahogany back and sides with a top of Lutz spruce, a natural hybrid of Sitka and White spruce that resembles Adirondack spruce in its robust tonal output. The wood combo, together with the Grand Symphony body and Taylor’s internal Performance bracing, will yield a wonderfully balanced 12-string voice that blends tonal power, depth and articulation into a dynamic package that’s equally responsive to a light or lively strumming attack. A Venetian cutaway offers easy access to the guitar’s upper register octave shimmer, while Taylor’s proprietary Expression System® 2 electronics parlay all that musical detail into a well-defined amplified 12-string sound. Appointments include faux tortoise shell binding and pickguard, a rosette of faux tortoise shell framed by grained ivoroid, and a grained ivoroid Century fretboard inlay. Learn More

The Huss and Dalton CM model is perfect whether you are a songwriter needing an inspirational writing tool or a discerning finger stylist, or perhaps a blend of both. Though somewhat smaller than a dreadnought and with deep sides at 4-5/8", it really packs low-end warmth and response. The elegant design includes fretboard bindings of figured maple, an abalone rosette, and an understated 12th-fret scroll fretboard inlay in abalone. The Huss & Dalton CM will give you the full tonal spectrum, as well as the reach to achieve the most complex melody. Standard woods are Engelmann Spruce with Indian Rosewood back and sides Learn More

This is a 2016 812ce 12-Fret Deluxe models featuring all the voicing enhancements and aesthetic refinements of Taylor’s standard rosewood/spruce 800 Series, with three upgraded features: a newly designed radius-style armrest in maple with rosewood top edge trim, and Adirondack spruce bracing. Learn More

This is well played in Mahogany Spruce Go Guitars Go Grande built by master Luthier Sam Radding. Sam is known for giving Bob Taylor his start in the guitar business back in the 70's, and more recently for his outstanding Go Travel guitars, like this one. Sam recently retired from building guitars so this little travel guitar is sure to hold it's value over the years. Learn More

On Taylor's 700 Series 712e 12-Fret Grand Concert Acoustic Electric Guitar, the neck meets the body at the 12th fret rather than the 14th, and the bridge position is closer to the center of the lower bout. The result is a splash of extra tonal depth. The classic pairing of rosewood and spruce yields a full-range acoustic voice, while the smaller body keeps the overtones in check and fits nicely in a mix with other instruments. A short-scale 24-7/8-inch neck adds comfort to the playing experience. A Vintage Sunburst top and neck, ivoroid binding and rosette, and ivoroid Heritage Diamond fretboard inlays evoke an old-soul persona. Stage-friendly Taylor Expression System 2 acoustic electronics translate the acoustic dynamics and tonal detail into exceptional amplified tone. Learn More

This custom shop guitar features rare Parrott engraving, along with full Presentation Series Paua Abalone inlays top, back, sides and headstock, and fngerboard extesion, as well as Paua Taylor logo. The wood sets come from a small batch of European Maple, and European Spruce at Taylor, and the tone is to die for. The guitar might actually sound better than it looks. Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More

This is a custom Go Guitars Go Parlor II built by master Luthier Sam Radding. Sam is known for giving Bob Taylor his start in the guitar business back in the 70's, and more recently for his outstanding Go Travel guitars, like this one. Learn More

Taylor Guitars made a limited edition of its popular acoustic GS Mini series with tops of Engelmann spruce harvested at Holden Village, and layered Maple for back and sides. Proceeds from guitar sales went to clean water projects in third-world countries under the direction of two nonprofit organizations. Learn More

This is a very limited K24ce 12-Fret LTD from a small run in 2017 that was never sold and never on display. K24ce 12-Fret LTD - The Grand Auditorium body and 12-fret scale of the K24 12-Fret LTD perfectly complements the natural qualities of Hawaiian Koa. Made from all-solid Koa on the top, back, and sides, this guitar projects a brilliant, sparkling tone balanced by a punchy midrange that opens up and sweetens over time. The short scale length contributes to a relaxed, easy hand feel, making this a perfect choice for fingerstyle players as well as more aggressive strummers. This limited edition is artfully appointed with figured maple binding and Koa Ocean Vine fretboard inlays Learn More

Halfling SB -- Designed with electric blues, rock and jazz players in mind, this revolutionary guitar has, at its heart, a rather sophisticated interior build that is a marriage of archtop and semi-hollow build techniques applied to a body shape that most definitely has some DNA from the mighty Les Paul, the 335, the Testadura and the ES175 Learn More