Search results for 'taylor koa'

For the collector seeking an exotic instrument of extraordinary beauty that delivers the rich sound only Koa can provide. When played, this non-cutaway Auditorium guitar just sings; it is meticulously made, featuring hand-selected, expertly matched Hawaiian Koa for the top, back and sides. Rich and responsive, especially in the lower register, it is a lively performer with clear and sweet tones. The King Koa will open up over time, the more the instrument is played, expanding the midrange for an even richer, sweeter tone. This fine instrument along with all other Masterclass, Exotic and Custom Sound Studio Series instruments are available exclusively in the USA through Breedlove Distinctive Dealers Learn More

The Taylor V-Cable™ puts volume control at your fingertips anytime you plug in a guitar, bass, keyboard or other musical instrument that has a pickup but lacks active controls. Learn More

One of only a handful ever made, the Pallet guitar by Bob Taylor was originally conceived to prove to the world that a great guitar builder can build an outstanding instrument regardless of the wood used. To prove this, Bob Taylor went to the back of the Taylor factory and proceeded to tear apart a few of the shipping pallets on the ground, and built himself a guitar using the weathered oak, and pine (or whatever the soft wood is on pallets) that these things are made of. Learn More

This is a 2009 Taylor 714CE-LTD Spring Limited featuring Spruce soundboard and amazing, and no longer available Madagascar Rosewood back and sides Learn More

This is a semi custom 2012 Taylor 614CE featuring upgraded wood, three piece back and Gotoh 510 tuners Learn More

This is probably the last of the Taylor 814ce Fall Limited that we will have. These amazing guitars feature Taylors GA body with a never before done 12-fret neck and short scale so what you get is an easier to play, more intimate version of the flagship 814ce with a slightly warmer tone. Another home run from Bob Taylor and crew Learn More

This is the 2011 Taylor Mahogany GA-LTD Grand Auditorium with mahogany back/sides and top, traditional mahogany stain, tortoise shell binding, diamond fretboard inlays, abalone rosette, ES electronics Learn More

Designed with one of contemporary Christian music's most prolific and celebrated artists, the Steven Curtis Chapman Signature Model (SCCSM) is based on the Grand Auditorium 714 that has long been Chapman's favorite acoustic guitar for recording and performance. The guitar features Indian rosewood back and sides, a tobacco sunburst cedar top, and Indian rosewood binding. The fretboard and headstock inlay designs honor Chapman's daughter Maria, who passed away in 2008 at the age of 5. Both inlays are recreations of Maria�s drawings. The headstock inlay is a flower with a single petal colored in blue, while the fretboard design features a mother-of-pearl butterfly in at the 12th fret, accompanied by the word "SEE" in Maria's handwriting. Pearl fret marker dots are aligned along the bass side. Other features include an abalone rosette, abalone-dotted bridge pins, and Taylor Expression System electronics. Each SCCSM comes with a custom guitar label and a certificate of authenticity personally signed by Chapman. Learn More

2011 414ce Walnut Spring Limited with latest ES electronics Learn More

The Presentation Series reveals the absolute finest in Taylor craftsmanship. We've reserved our finest sets of cocobolo, paired them with premium Sitka spruce tops, and incorporated a contoured armrest in ebony with matching binding. Ultra-premium appointments include green heart abalone purfling bands that flank the guitar's edges and outline the fretboard, and a cocobolo backstrap. The artistic centerpiece is a beautifully detailed "Nouveau" vine fretboard inlay complemented by elegant headstock "torch" and bridge inlays. Offered with Gotoh Gold tuners and a bone nut and saddle Learn More

One of the heaviest, densest rosewoods around, Cocobolo yields a bright, articulate voice. For this Cocobolo/Sitka Spruce offering, Cocobolo was also incorporated visually into the inlays on the front of the guitars. A band of cocobolo trim traces the top, while the rosette motif features cocobolo as an S-curve that contrasts with buttery boxwood, a slow-growing wood with a density comparable to ebony. Boxwood was also used for a new Split Diamond fretboard inlay, which visually references the rosette's S-curve. Other wood-rich appointments include a cocobolo backstrap and figured maple binding. Tonally, Cocobolo's density translates into a beautifully clear, bell-like tone, with a piano-like quality to the low notes. Learn More